The Cliffs Of Moher

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Type
Double jig
Structure
AABB
Mode
A Dorian
Earliest Recording
~1978

About the Tune

"The Cliffs of Moher" is a traditional Irish jig. It's commonly played in the key of G major, though some versions are in G Dorian. The tune is named after the Cliffs of Moher in County Clare, Ireland, suggesting a possible origin in that region. Clare musicians often play jigs at a slower tempo, with a characteristic "blue" or sad sound.

Musical Characteristics:

  • Tempo: The tune can be played fast or slow, with slower tempos allowing for more expression.
  • Ornamentation: Sliding up to notes, particularly the opening A, is a common and desirable technique. Small imperfections in intonation are accepted and considered part of the traditional Clare style.
  • Endings: Different versions exist, with some ending on a low A (EDC A). It is sometimes performed with variations in the final bars.
  • Meter: Some performers, like Saskia Tomkins, play a version in 7/8 time, which creates a more driving feel.

Sources and Variations:

The tune has been transcribed and passed down through various sources:

  • It appears in O’Neill’s Music of Ireland.
  • It was taught to a friend by Patrick Ourceau.
  • Accordion player Johnny McCarthy has a well-known setting.
  • Versions have been played and transcribed by musicians including Kevin Burke, Emmett Cooke, Perpetual e-Motion, Turas, Connemara, Tommy Keane, Seamus Tansey, and Martin Rochford.
  • Bríd O’Gorman’s version is based on the playing of Micho Russell.

Related Tunes:

There is a similar jig called “An Tiochfaidh Tu Abhaile Liom.”

Performances:

  • Sorcha Costelloe, who is the daughter of Mary MacNamara, has performed a version.
  • Martin Hayes plays a version up a string in A.
  • It is often paired with "Farewell to Ireland."