Farewell To Ireland

'Farewell to Ireland' is a traditional tune with a complex history and a lot of differing interpretations. It’s a popular tune played at Irish music sessions.

Origins and Names: The tune likely originated from a Scottish strathspey called “The Highland Watches Farewell to Ireland” or “Highland Harry.” However, it’s sometimes confused with a different tune called "Farewell to Erin" (O’Neill’s 701). The Bothy Band mistakenly called it "Farewell to Erin." The tune is also sometimes referred to as “Farewell to Ireland." The name "Erin" and "Ireland" are essentially interchangeable.

Different Versions: Different musicians play the tune in various ways. Kevin Burke’s version is notably different from Michael Coleman’s, some believe they are even different tunes altogether. Barney McKenna of The Dubliners often plays it solely in a minor key, which some prefer.

Playing the Tune: Many musicians find it relatively easy to learn, although a C sharp can be challenging. Playing a double stop with an E on the D string and an A on the G string (especially for fiddle players) can give it a powerful sound. Whistle players sometimes just hum along with the first part because of range limitations, or may play the low notes an octave higher.

Notable Performances: Eileen Ivers’ live version is considered energetic and exciting. Tommy Peoples often introduces the reel by playing the first part as an air. The Bothy Band’s version is highly regarded; some even describe it as a “masterpiece.”

Keys & Chords: The tune is often played in A Dorian or A Mixolydian, though some prefer it in A minor. Guitarists often use Amaj and G chords.

Possible Associations: Someone believes the low A note at the beginning represents the sound of a ship's horn as it departs.

Please Note: The tune has been recorded in D and A mixes, and interpretations vary widely. Some speculate that it might be related to "The Ballydesmond Polka." There is a song associated with parts of the tune, "Highland Harry."