Miss McLeod's

'Miss/Mrs. MacLeod of Raasay' is a widely played reel with a complex history and numerous versions across Scotland, Ireland, Cape Breton, and North America. Its title has been a subject of historical discussion, reflecting a broader debate regarding the tune's origins and intended dedication. The tune's presence in varied recordings and transcriptions demonstrates its enduring popularity.

Core Information and Recordings

The tune has been recorded and transcribed by several prominent musicians, including:

• Padraig O'Keefe & Denis Murphy
• John Gannon, Melodeon
• Michael Coleman
• Tom Ennis & Redie Johnson
• Leo Rowsome

Historical Context and Authorship

Alexander MacDonald of Portree is considered the likely author. Details from 'Musical Scotland, Past and Present' (1894) support this theory, noting his musical skill. The tune was likely written for or in honor of James MacLeod, the 11th Laird of Raasay, and his wife, Jane MacLeod, nee MacQueen. Connections to the Eliza Ross Manuscript and 'Lord MacDonald's Reel' further reinforce MacDonald's authorship. Alexander MacLeod's involvement in George Rainy's slave trading operation also forms part of the tune's historical background. Tom Carthy, a Kerry Piper, frequently performed the tune and referred to it as 'Miss MacLeod.'

Key Questions and Observations

A historical debate surrounds the correct title, with current research suggesting 'Mrs. MacLeod of Raasay' is more accurate, honoring Jane MacLeod. Variations in key are also notable; while traditionally played in A in Scotland, Irish musicians often transpose it to G. Performance phrasing differs regionally, particularly in the A part, which can be played either rising or falling. The phrase 'Hop High Ladies' is linked to the tune due to a distinct octave jump found in some versions. The anecdote of Tom Carthy's pipes, known as the 'Enchanted Pipes,' adds a layer of folklore to the tune's history.