"The Rights of Man" is a popular hornpipe tune played by many musicians. There are many different ways to play it, leading to countless variations. It is often played at a moderate speed, though faster versions exist.

Musical Details:

• The tune appears in various ABC transcriptions, with one version using triplets in the first measure to create a lilting effect. Players sometimes experiment with different note lengths and rhythms, such as lengthening notes or using triplets and eighth notes in combination.
• Some players incorporate a "supernatural" feel by playing certain notes at an unusual pitch.
• MIDI versions can sometimes exaggerate the "swing" feel.

Origins and Lyrics:

The tune's origin is uncertain. It has sometimes been attributed to James Hill, but this is likely just an assumption with no proof.

The tune is associated with lyrics referencing a dream and a vision involving a virtuous queen and a man descending from the sky. The lyrics discuss themes of freedom, unity, and belief. It is speculated that the title may ironically refer to the role of a husband in marriage, rather than the work by Thomas Paine.

Connections & Performances:

• The tune is the title of a significant work by English radical Thomas Paine, influential in the American and French revolutions.
• It is often performed with other tunes, like "Her Golden Hair Was Hanging Down Her Back," "Chief O’Neill Favourite," “Twa Bonnie Maidens,” “The Butterfly,” and “Greencastle Hornpipe”.
• Notable performers include Old Blind Dogs, Mickey Doherty, Frankie Gavin, and Eileen Ivers.

Disclaimer: Due to conflicting information and speculation in the source material, some details about the tune's origins and meaning are unconfirmed.